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Saron Gas no more

Cape Town - Local rock trio, Saron Gas, will be changing their name to Seether. The name change comes as a result of their move into the international market and the potential difficulties that may be experienced with the association to Sarin Gas - the lethal nerve gas. The name change is a marketing strategy more than anything else - to ensure the least amount of difficulties when the band releases in Europe and the eastern markets later this year. Trademarking and reservation is currently under way. Seether/Saron Gas are presently in pre-production and will begin recording on their new album next week. The title has not been confirmed but the album is set for release in June, both in the US and world-wide.

Don't Expect Many Collaborations From Amy Lee, Shaun Morgan

The reason why Shaun Morgan and Amy Lee seem like the last two people on Earth in the new video for "Broken" was left out of the treatment by director Nigel Dick, but Seether's singer has an idea. "Just look around," Morgan said. "The whole world is stepping on very thin eggshells. Everyone is pissed off at each other, and everyone is waiting for the other to explode so it can all end in one fell swoop. It might also be a comment on the war and the fact that it could turn out to be really devastating. So far this war hasn't been anywhere near as devastating as some of the others that have been fought, and I think none of us agree with it." The clip takes "Broken"'s theme of emotional isolation in the wake of a breakup and applies it globally. Shot early last month, the video finds Morgan and Evanescence's Lee, his real-life girlfriend, wandering through what appears to be a burnt-out encampment looking for signs of life. Although it seems like Dick (Britney Spears, John Mayer) raided the prop closet of the "Mad Max" movies, Morgan said the site -- an abandoned crystal meth lab in Lancaster, California, that had exploded ... twice -- is shown exactly how they found it. "We just walked into a wasteland," he explained. "It had a lot of history. We felt a little bad being there, because there were some kids' toys lying around; there had definitely been a family there. It looked like the place had been deserted pretty quickly. There were still playing cards on the table in one trailer. It looked like something had happened while people were still in it. We don't know if someone died, or how many people died. All of us had a bad energy from the place, but it was good to be there because it kind of goes with the song in some sense." "Broken" originally appeared on Seether's 2002 debut, Disclaimer, and it was rerecorded as a duet with Lee earlier this year for inclusion on the soundtrack to "The Punisher." Morgan and Lee have also worked on a smattering of new songs, potentially for Evanescence's next album, though Morgan said it's too early to tell if their rough ideas will eventually materialize. He also said not to expect any more collaborations. "I don't think it's a good idea because it definitely puts a lot of strain on our relationship," Morgan said. "It's not something I'll do again because there are a lot of political things that go with working with someone. It goes beyond just creating something cool. It can be become a nightmare if you let it. "It's definitely tempting fate," he added. "All I can say is that I won't do it again." That should make the upcoming reissue of Disclaimer something of a collector's item for fans, since, other than "The Punisher" soundtrack, it will be the only other place the collaboration is found. Seether will embark on a European tour in May with Evanescence to support the re-release, during which time Morgan and Lee will have a chance to spend plenty of time together, onstage and off. Still, you get the sense that a part of Morgan would rather be someplace else. "We desperately want to get a new album out because in August it will be have been two years," he said. "Some songs on Disclaimer I wrote eight or nine years ago, so I really want to get some new stuff out because I've been playing those songs for years. And having grown as a human being and a musician, our new stuff sounds a lot better. "Having Amy on the song brought us a lot of new fans," he conceded, "but we also have a lot of old fans that we can't abandon."

SEETHER

Did you guys have an off day today? Shaun Morgan: No, actually we played today, it's called Laser Fest in Des Moines, weird people out here in Iowa Well, you got to play for the hicks SM: (laughing) Yeah, I hadn't figured that out yet (laughing) (laughing) Did you see when you were driving in the tumbleweed? SM: Yeah, I'm sure I saw a couple of kangaroos out in the field (laughing) (laughing) So, is there a good crowd today though? SM: Hum....yeah....they're more into the heavy shit ya know cause no one knows who we are except for one song, they were really eating up Rob Zombie and Cory from Slipknot, his new band did well. The girls here are real easy to convince to show their boobs Well, ya know, they don't get too many musicians out there SM: We didn't even have to fuckin say anything, it was just like...bam... I was like, I fuckin lost, it was ridiculous (laughing) (laughing) We had two girls wrestling each other with their tops off in the crowd, that's when I realized we're in hicksville Yes. At least you guys had some entertainment on stage (laughing) Yeah The first question I have for you is Nick in your band as a touring musician or have you guys gained him as an actual member? SM: The guitarist or the drummer? The guitarist SM: Yeah, the guitarist is just used as a touring guide Was he a friend of yours or where did you find him? SM: Hm...we were kind of strong-armed into making a decision that we needed a guitarist, so we auditioned while we were still living in LA, yeah we went through fifteen guitarist and we chose Nick. Do you think in the future you'll have him as an actual member or are you guys happy with just the three piece? SM: Hm....we as a band are happy as a three piece, the kid makes like a real cool guitarist and everything but it's like I'm biased toward that for the fact that I played in a three piece band for three years, then I got told that I need another guitarist but he's cool, personally we'll get to the point where he'll join the band. So this is almost like a try out for him? SM: Yeah, he gets to play Ozzfest and we've already driven to thirty states and I think the furthest he every went, he lives in Burbank and the furthest he went was Santa Rosa or something so the kid gets to see the great American white hope. Were you born and raised in South Africa? SM: Yeah So, was there a huge culture shock when you can to the States? SM: Hm....not really, we grew up watching American shows and the music since the early nineties. We feel we're part of the culture because we're pretty westernized in that sense, we listen to the same bands, we just feel like the lost state of American that nobody knew there was. Basically, what I've figured out, after being through the South and the Midwest and shit, it's exactly the same as we have in the Midwest of our country. All right All these fuckin inbreeders and shit (laughing) They all wear like stupid clothing and shit and it's exactly the same except Americans are ya know a whole bunch bigger (laughing) (laughing) OK It's exactly the same as home otherwise (laughing) All right, when did you guys actually move to the States? SM: We came over on the seventh of January, so we've been here about, I think, it's eight months now. Ah...so you guys are still pretty new to it? SM: Yeah, yeah Did you fly right to LA? SM: No, the original plan was we were going to be living in Manhattan, which was so stupid because it's so expensive there, it's like yeah we're a band earning no money, let's live in Manhattan Right SM: We stayed there for about a month and a half and we did all the preproductions on the album and then we flew out to LA to do the album, basically when we finished there, we did the album, it took three months, we got to go home for a week, end of April, early May then we came back. So, we've been in LA until the tour which started a month ago or a month and a half ago, we lived in LA but now we live on our little RV thing You guys are in an RV? SM: Yeah, cause ya know, it's like baby van thing, we're like the only band at Ozzfest in an RV (laughing) that sucks Ohhhh well soon enough (laughing) Only kidding. We got six of us in the RV which is just how many it sleeps for now but we're getting another tech and hopefully a driver too, so we're going to have to get something bigger, it all depends on the record company. Well I am sure that they are going to help you out because I was telling Bobby last night, your song, your single on Boston radio gets played every hour on the hour. (laughing) Cool And ya know what, I'm kind of sick of it already (laughing) (laughing) I mean I love the rest of the album, but that song I have to skip every time I come to it because I'm sick of it. (laughing) Radio's real good at killing some things (laughing) Yep. You were saying when your playing on Ozzfest not too many people know you guys but they know the single? SM: I was kind of intimidated to play the single the first couple of days of Ozzfest because everyone else is like gragragra (saying this in a screaming voice) and we're like hey we actually sing, how about that (laughing) so I was a little worried about it so we didn't play for a couple of days, then we played it the other day and it went down, so we're going to be changing the whole set tomorrow, I got to the point hey fuck it man, we're going to play what we play and if people don't like it, then whatever. It's like we're playing all the heavy stuff on the album, it's all good but it doesn't make us any different from anyone else. When we played the single today, it went down well, people liked it, so that was cool. Awesome OK. I know through the album you have put down in lyrics in your music a lot of experiences that you went through? SM: Yeah How hard was that to actually put down those words and have to sing this to millions of people? SM: It's real hard when people don't take the fuckin time to notice what I'm trying to say or they don't understand, they're listening to how heavy the guitars are or whatever. Ya know when we were in the studio doing those songs and getting the lyrics down, I was too worried about what people would think about them but then I just got to a point where well ya know what I'm doing this for me anyway so....it's cool for me.....I need to get that shit out of my system cause it helps me get rid of it, ya know. So, it's almost like a therapy for you? SM: Yeah, I mean, it's definitely therapeutic because I don't make up anything because that would make me feel like I'm singing someone else's song. There is a story behind every song, I could go and tell you about them but that's not, I don't feel comfortable doing that kind of thing. OK. Is there just one song though that is so emotional that it's hard for you to do or are you happy doing all of them at a live setting? SM: Hm....it all depends from day to day, depending on what kind of mood you wake up in, FINE AGAIN is always a hard one to play cause it's like, as much as it is a positive kind of song where it came from wasn't that positive. The angry songs are easy to play because that's getting that shit out of your system. It's the more chilled out stuff on our album that's kind of hard to do. Well, I have to tell you that I love BROKEN SM: Oh cool And I like FUCK IT too! SM: (laughing) I think those are everyone in the band's favorite songs Really? No, I could listen to those last two songs over and over and over again, I just love them. SM: (laughing) That's cool I know that you keep up with all the message board on the website SM: Yeah and there a lot of kids that write to you with stories and stuff, were you hoping when you wrote the record that you would get that response from kids? SM: I wasn't hoping for a response like that, I was just hoping I would be doing that and giving kids as much as the song gives me, hoped to be given that to someone else, ya know. My whole thing is, I'm doing this so I can leave something behind and not become another number or another statistic that disappears because that was what I was told I would always be. So, it's like cool, when I read those stories I don't really know how to respond to those kids because it's like man, first of all sometimes I think they might be bullshitting me but other times if it is legitimate and they're being honest with me, it's like what can I say that's going to make, I could sit there and say thank you, thank you, thank you for a whole page but it's like I don't know what to say to them or how, cause it catches me off guard every time, as much as that's my ambition and that's why I'm doing this, it's like on the other hand, it totally freaks me out when someone does that. So are there a lot of kids writing wanting your response, wanting your advise? SM: Ya know, if someone is saying dude thanks for saving my life, I'm compelled to write something back, so I get caught in this struggle, like should I write back, because if I don't write back they might think I don't give a shit. I mean, people are like that especially when, I mean, I write everyone so if I see something, when I get time to write back the people I can and as many questions and then if I don't write to these kids that are saying man you just saved me from blowing my head off so then I sit there going how am I going to say thank you without sounding like I don't give a shit and without sounding like too grateful or whatever, so I get into this whole struggle about it. So it stresses you out then? SM: Yeah, it stresses me out, it's like I'm glad I'm doing that but (laughing) dude, you don't have to tell me in such detail. (laughing) OK. How long have you been on Ozzfest now? SM: Today being the eighth, we done probably six shows on Ozzfest. Do you enjoy, I mean, is this like your first big like festival show? SM: Yeah, at home if we have a festival, it's a three day thing and you stay in one place and people come from all over the country to the festival. Here it's like, it's weird to be you finish the show, everybody packs up, the whole place breaks down and moves on to the next place. But you wake up everyday like oh shit, we're in the same place Right, your like a traveling circus SM: I mean, I'm totally having fun, I don't mind traveling. This is hard sometimes when you might go three days in a row when you haven't had time for shower. I mean, I've got a whole bag of dirty clothes that I haven't had time to wash yet Right, right SM: You gotta put that shit back on and walk through people and it's like pee-u... they stay away from ya (laughing) How is it playing so early in the morning? SM: Hm....that was interesting Yeah SM: Usually at ten o'clock in the morning, I'm still sleeping so the first place we played, I think it was a quarter to ten, we just got up and did it and it was like another show, ya know, it was cool to play it. I never really played any daytime shows until Ozzfest. At home we never played a daytime show, we might of played one in the three years we played there, so it's kind of difficult to adjust because you don't have the cool lights and you can't see what's going on with the pedals on the stage because the sun's blinding you, but yeah it's a trip. Every day we play later and every day the later we play, the drunker the crowd is so the more they go YaaaaaYaaaaa (the hissing sound of a large crowd)) (laughing) Were you on tour when the whole Drowning Pool thing went down, when Dave passed away? SM: Yeah, we had gone out with him the day before Really? What was your reaction to it? SM: When I was told, I couldn't believe it cause he was such a good person, his main thing at the festival was to have all the bands hang out and screw the bullshit of our band's heavier than yours, we're cooler than you, we sold so many, fuck it, we're all in the same industry, we all do the same thing, we should be hanging out and supporting each other and now that he's gone, as much as he was a friend, he was trying to pioneer a different kind of industry and now that he's gone man you can tell the whole thing sucks! It's like no one's hanging out with anyone else, except like the next couple of days everyone was like hey how you doing? But when DROWNING POOL got up on that stage, they fuckin changed the festival and they made it happen. It really is a great great loss for everyone, he had the biggest biggest heart you could ever imagine. So, you haven't seen any other bands coming to watch your set or anything? SM: Well, I mean, I think today we had the guys from The Used come and watch us play, I think our guitarist is a big fan and he's been watching themo them so they came and watched us today. We go watch other bands but generally it's so hot out there, you can't survive, if you stand out in the sun, your gonna be dying because kids have been dropping down from heat exhaustion all over the place. The ambulances are always busy dragging kids out of there. We had one day that it was raining and it was cool and I was out there the whole day cause I could deal with it. Generally, I go watch the band that I really really want to see, that I really appreciate their music, the rest of the time, it's like well, I've seen these guys before. Are you waiting until Ozzfest is done to maybe reunite with another band to like bond with them? SM: As far as I know, we're probably going to be doing another club tour, I don't know if anything has been confirmed yet, it's gonna be cool because it's one of our favorite bands that we will be playing with if it goes down. That kind of atmosphere seems to more conducive to bands getting along and bonding back stage, just the two of you every city and ya know and there's no one else to speak to, so you may as well speak to each other, I don't know. Are you guys doing anything special for your record release party or are you guys just going to be on Ozzfest? SM: Hm...that's Tuesday, so we'll probably play Ozzfest, we've got a show Wednesday which is like six hundred miles from the Tuesday's, so we'll be packing up and get on the RV and so because we don't have a driver, we've got the tech, he's loading our gear, he's setting up our stuff, we play and then he breaks it all down and then he drives, so unfortunatly we have to get out of there as soon as possible, we only have one guy driving, ya know. So, you guys will have a small party for yourselves and say hey the record's out? SM: The five of us or the six of us will sit on the RV and have a beer (laughing) (laughing) All right. In your video, who came up with the sign people? SM: It was the video director, Paul Shedder, it was his idea. He sent me the treatment and I was yeah that's cool, man and what he had done was he came up with a whole bunch of signs and then he picked random people and said they much choose one that they most relate to, so it was kind of cool to see what people came up with. The whole idea, he said it was the Scarlet Letter idea but the coolest thing about it is, I think in a way it's pushing the boundaries of what is MTV friendly because people don't like to think, they're like every fuckin Avril lavigne, aggggg....sorry...that shit fuckin hurts me man (laughing) Yeah, it's like MTV is all Brittany and Avril. I mean, the coolest part about our video is if you look at those things and what those people are holding up and what they have to say, it's going to make you think even if it's only one of those signs ya know. You know they have a whole web page now dedicated to sign people Yeah, peoplewithsigns.com, yeah SM: I think that's pretty cool It's cool because of the interactivity of it, people can go out there and put up their own sign and do their own thing. There's some interesting things that have come out which is cool. Have people come to your shows with signs? SM: (laughing) No, Not yet? SM: We had one girl at a Florida show who came out with a sign because she remembered us as Saron Gras, she had one just in our home language saying enjoy Ozzfest That's cool SM: Yeah, it was cool Is there anything you would like to add about your music or the band that no one has asked you that you would like to express right now? SM: Hm..... No actually, your questions have been a lot better than, actually your the best so far because everyone always does the same.....I swear to God they hand out this form that everyone's got the same questions to ask. (laughing) SM: Basically, the only thing that I really want is for people to go to the website OK. We will definitely link your site and hopefully you'll get to Boston soon. Yeah, I think we're going to be in Boston soon, I don't know honestly, I've got a piece of paper up on the wall that tells me what to do and when to do it (laughing) (laughing) and the rest of the time, I'm completely on auto pilot, as soon as you get a day off and you realize how tired you are, oh man, let's just go play another show or something. Right....I hope you guys do well and good luck with your release on Tuesday SM: Thank you very much Your welcome and tell Bobby I said what's up SM: I will Have a fun rest of the evening (laughing) SM: (laughing) Thank you very much

South African Rock Encyclopedia

I did a free demographic study for Windup, Seether's US label. I played 'Gasoline' for some fifteen-year-old males, from the SA CD 'Fragile', Seether/Saron Gas. All I told the guys was, "This is a new band, do you think they have a chance to make it in America?" The guys responded enthusiastically as the song seized their attention quickly and positively. 'Gasoline', certainly storms in demanding to be heard. Then I told them the band's name, Seether. Some knew 'Fine Again', the radio release, and one recalled seeing them on MTV. 'Disclaimer' is getting the big push here. Wal-Mart, the nation's largest discount department store, stocks the edited version, Seether is touring with OzzFest (which cachet gives them instant credibility to an American teenaged male), and 'Rolling Stone' reviewed 'Disclaimer'. Both CDs are rock of the PLAY LOUD variety (like I need to be told to play it loud?). But how does the CD 'Disclaimer' by Seether compare to 'Fragile' (a Digest #2 in December 2000) by Saron Gas?' First of all, eight songs made it from 'Fragile' to 'Disclaimer': 'Gasoline', '69 Tea', 'Fine Again', 'Driven Under', 'Pride', 'Your Bore', 'Fade Away', and 'Pig'. Second, with a minute diminution of rawness, 'Disclaimer' shows the gleam of additional polish in extra flair and flourishes of drums and guitars. The original SA recording moves a bit more urgently, or hungrily. Windup probably thinks it improved the trio, but I suspect any changes between the two albums only show a natural growth and improvement in the trio. Aimed at a younger audience, Seether's music has a fair amount of angry teen screaming (as on 'Your Bore'). But the hard rock moments of fierce fuzz guitar, deep bass, pounding drums, and Shaun's strong, yet melodic singing keep me coming back. Though this CD has an explicit language sticker, there are really only a few naughty words. They fit the mood of the songs, and are, if you will, artistically justified. 'Disclaimer' and 'Fragile' are both aggressive rock, and I enjoy them though having more years enjoying rock than the typical Seether fan. I may be a high mileage model, but I still run good and recognize plenty of modern rock power. While slamming through 'Pride', I felt a bit of the old-time sense of rock wonder at the powerful music of my people.

Seether: South African Seattle

When most people think of South Africa, they visualize Nelson Mandela's multi-colored shirts and hear the wondrous township jive that filled Paul Simon's Graceland album. Seether may widen that view. With songs like the raging "Gasoline" and "F*ck It," their album Disclaimer takes on the world with a volatile case of angst and heavy-artillery guitars. Like his hero Kurt Cobain, Seether frontman Shaun Morgan did not enjoy his youth. His dad was English and his mom was Afrikaans; when they divorced, his mother's family all but disowned him. Dad didn't understand his son's love of rock 'n' roll. So Morgan ran away from home, and put together a series of bands. As each fizzled, he fell further into a dissolute life of drinking and fighting - at one point he considered things hopeless enough to contemplate suicide. Fortunately, Morgan gave rock one last chance. In 1999, he formed the ominously named Saron Gas and began making music rooted in his love of Black Sabbath and the Deftones. Call 'em a hit: Gas' Fragile became one of South Africa's best-selling albums in 2000. Ever restless, Morgan first moved the band to Europe and then New York, where they were quickly wooed by Wind-Up, the label that's home to Creed and Drowning Pool. Re-dubbed Seether, they released Disclaimer and headed out to show Middle America rock fans just how explosive they could be. Working the U.S. has its drawbacks: guys miss their families and the taste of South African beef jerky. But they've wowed crowds on Ozzfest, rocked David Letterman's show, and have begun developing a rep as a ferocious live act. Morgan and bassist Dale Stewart played some songs for VH1, spoke about Vanilla Ice, inflatable sheep, and why rocking out trumps therapy. VH1: Shaun, why did you originally run away from home? Shaun Morgan: My Dad wouldn't let me play in a band, so I ran away from home to cut a demo. I lived in friends' cars, then I lived in some guys' houses. Their parents didn't know I was there, so I had to sleep in the garage. I went to live with my mum and started playing in a band again. Three years later I stopped playing music, because the demo I ran away from home to record didn't do anything. I used to drink a lot, fight a lot. I'd go to rock clubs and beat the crap out of people just because I had nothing else to do. I didn't care if I got beat up. VH1: So If 50 Cent came in right now looking for a brawl, could you take him? Morgan: Well, I'm not gonna say I can kick his ass. I don't know how big he is. VH1: How did you discover grunge music? Morgan: I heard Nirvana's Nevermind when I was about 12 years old and my parents were in the middle of a custody battle. It was the first thing I connected to on an emotional level; it made me think about the lyrics and the music. I had been listening to Metallica and AC/DC and Snow and Vanilla Ice. When I heard Nirvana I thought "That's what I want to do." VH1: Was the Seattle grunge movement an underground thing in South Africa? Morgan: It was a time when America was sanctioning the country, so we had to find out from friends who had gone overseas and brought back a copy of an album. Now it's a lot easier to hear American music, but we still heard about Korn three years after the rest of the world did. VH1: You purge yourself in many of these songs. Is listening to Disclaimer a difficult experience? Morgan: I don't listen to it in front of anybody I don't know, because it's embarrassing. I probably listened to the album two or three times since we finished it. I should listen to it again ... VH1: How does performing the songs live differ from listening to them, then? Morgan: It's fun. Everyday you get an hour-and-a-half to relieve all the frustration. It's a hell of a lot cheaper than sitting on someone's couch. It's better than being the dick that runs around looking for fights. If I wasn't playing every night, I wouldn't be alive any more. VH1: Do you feel a responsibility towards the fans when they respond to the songs' emotional content? Morgan: I couldn't write any of the lyrics until I convinced myself that I was doing it for me instead of someone else. I'm not trying to save anybody's life. I'm trying to save mine. If people identify with that, that's cool. If anything, it's for those kids that are social rejects, like I was. VH1: Has touring the United States matured you as a live band? Morgan: Yeah. It was a good start to hit Ozzfest and see all those bands. That's a great learning curve. You start doing different things when you watch another band perform. You try to make every show you play better than the one before. Because if you have one show that sucks, then people go and tell other people that you sucked ... which sucks. VH1: While you were on Ozzfest, did you touch the hem of Ozzy's garment? Morgan: They shut down the whole backstage area so we couldn't even watch when Ozzy played. He wasn't hanging around at that point. He was flying in and out of shows, because Sharon was sick. But we got to meet System of a Down and Pantera's Phil Anselmo. The Mushroomhead guys were really cool, too. VH1: Did any of them tell you how to impress American audiences? Dale Stewart: We just watched their show and stole with our eyes. There's no substitute for experience. You've just got to watch and learn from these bands that have been doing it for a million more years than we have. Morgan: Dale learned to shower less! Stewart: Personal hygiene is very low on my list of priorities. VH1: How do you stay sane while on the road? Morgan: We play a lot of Playstation. We drink a lot. I read. I'm into Terry Pratchett and Stephen King novels. I'm currently collecting little dolls. Every truck stop we go to, we buy a pair of sunglasses for some odd reason. We do stupid things to amuse ourselves. Lately, we've started picking on the opening bands. VH1: What's the weirdest thing a fan has ever given a band? Morgan: A blow-up sheep in Portland, Oregon. It's like lamb-sized, with bleating accessories. Stewart: It burst. Morgan: In Dale's bunk! Stewart: The life of a blow-up sheep on the road is a hard one. Morgan: We don't have many weird people giving us weird stuff. People give us brownies and lasagna. VH1: We always hear about fans giving rockers food. But can they cook? Morgan: Yeah! Anything's better than McDonald's, man. Last night we got green beans, we got lasagna and these little cupcakes. Stewart: We're not picky. We'll eat anything! VH1: Are audiences crazier here than in South Africa? Stewart: We have more injuries in South Africa than we did here. One show we had three broken noses and two broken ribs. We were in this big tent and this guy climbed this pole, dived off and no one caught him. So he smashed his nose and broke a rib. Morgan: What a fool. He was having fun, though ... Stewart: Up until a point, he was having fun. VH1: Shaun, since making the record, you've gotten married and had a kid. Will the next album be about mowing lawns and changing diapers? Morgan: No, the next album will be about not seeing them for more than ten weeks a year, and the strain that puts on you. There's always stuff to write about. You'll meet some guy in a store who thinks his band is cooler and heavier than yours and wants to know why you're signed and he's not. Each song is like a diary entry and everyday something happens. VH1: Speaking of opening bands ... you're on tour with Socialburn, and they're coming into the studio. What should we ask them about? Morgan: Dusty's their bassist. Ask them why he was threatening to rip off his penis two days ago! Two women turned him down in one night. He's got a Jiminy Cricket tattoo on his arms, so he's like the cute little guy. He never gets shot down. And he got shot down twice in a row. So he was in this bus and he was literally trying to pull his d*ck off. VH1: Maybe he just has an extreme method of pleasuring himself. Stewart: Either way, that's the most romantic story I've heard.

OZZFEST 2002: Line-Up, Dates Announced!

The confirmed acts for Ozzfest 2002 are as follows: Main Stage: OZZY OSBOURNE SYSTEM OF A DOWN RAGE/CORNELL (currently unnamed) P.O.D. DROWNING POOL ADEMA BLACK LABEL SOCIETY Second/Third Stage: ROB ZOMBIE MESHUGGAH APEX THEORY LOSTPROPHETS PULSE ULTRA NEUROTICA Also performing at select dates will be: FLAW, MUSHROOMHEAD, 3RD STRIKE, OTEP, SEETHER, GLASSJAW, THE USED, SOIL, ILL NINO and CHEVELLE

SEETHER Singer: BEN MOODY's 'Shitty Attitude' Led To His Departure From EVANESCENCE

Seether frontman Shaun Morgan has taken the time to personally respond to an Evanescence fan who has accused him of being the reason for guitarist Ben Moody's departure from the latter group. Writing in response to a posting on Seether's official Bulletin Board, Morgan — who has been dating Evanescence singer Amy Lee for the past six months — said, "Wow! I didn't know I had so much power over Ben and his life and his career. If I'd known I would have done some things a little differently... "Let me tell you, my friend, one day when you're a little older you might understand. Right now you need to, A.) Blame Ben Moody's shitty attitude, and subsequent leaving of EVANESCENCE on somebody, namely me. (Feel free to look up any big words in the dictionary or ask your Mommy) B.) Consider the fact that the guy really isn't the greatest guitar player in the world and that EVANESCENCE might be better off with somebody else. (Oh my God, did I actually dare to write that about the great Ben Moody?) C.) Grow the fuck up. The only person I have to care about in EVANESCENCE is Amy, and I really couldn't care less about Ben Moody or any of the skanky hoes he bangs on the road. Get a life and try to understand that your hero is nowhere near as cool as you think he is... " "Now, drink your milk, have your cookies and go to bed before Mommy gets angry..."

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Last Updated: 8/18

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